. . . Electroacoustic & Multimedia . . .
Twin Peaks Waiting Room • fixed media online installation • 2021
The Pathless Woods • for vibraphone, violin, kick drum, and electronics • 2020 • (10')
Particle Wave • for vibraphone (opt. tam-tam) and electronics • 2020 • (8.5')
murmurations • for piano, double bass, fixed media, and live electronics • 2018 • (6.5')
Year Without a Summer • for bass clarinet, marimba, and fixed media • 2017 • (10')
for Anna Atkins • for sextet and fixed media • 2017 • (9')
desangramiento • for viola (or cello) and fixed media • 2016 • (8')
* [asterisk] • for chamber orchestra and fixed media • 2015 • (8')
CME • for alto flute, nine percussionists, fixed media, and the Green Monster • 2015 • (5')
Alone Together • for violin, fixed media, and live electronics • 2014 • (7')
River Rising • for violin, fixed media, and live electronics • 2014 • (8')
Precious Nothing • for mezzo-soprano, mixed octet, fixed media, and live electronics • 2013 • (25')
Nocturne • for piano, fixed media, and live electronics • 2012 • (12')
the infinite space between • a collaboration with Joshua Lantzy and Jacob Richman
• for two singers, alto flute, bass clarinet, trombone, percussion, and movement • 2011 • (15')
Mercy Brown and the Devil's Footprint • by Awesome Collective • 2011 • (30')
Bering Sea • for Bb clarinet/bass clarinet (or viola), violin, cello and fixed media • 2011 • (5'20)
Hints and Hauntings • for contrabass and fixed media • 2010 • (5')
Étoiles de mer • for cello, percussion and fixed media • 2010 • (10')
Tree of Life • for string quartet and fixed media • 2008 • (16')
Ultraviolet • for clarinets and fixed media • 2007 • (3'15)
Gaia • 8 channel or stereo fixed media • 2004 • (3'30)

. . . . Chamber Music . . . .
No Rest for the Wicked • for baritone saxophone, electric guitar, percussion, and piano • 2024 • (9')
Pass the Torch! • for flute, Bb clarinet/bass clarinet, percussion, piano, violin, and cello • 2023 • (10')
Femme fatale • for Bb trumpet (or oboe) and piano • 2022 • (5')
Ghosts of Cascadia • for two pianos • 2022 • (7')
Lullabies for the End of the World • for two cellos • 2021 • (12')
Will Groove for Pizza • for 4–10 musicians • 2021 • (15'+) — co-written with Jacob Richman
Meditation on a Theme by Fela Kuti • for horn and viola • 2020 • (2.5')
Lush Escapist Dream • for percussion and violin • 2018 • (8')
Sin Sin Sin • for oboe, bassoon, horn, violin, and contrabass • 2017 • (6–7')
little tiny stone, full of blue fire • for flute/alto flute, Bb/bass clarinet, violin, and cello • 2016 • (10')
My Sea Berth, At Night • for violin, cello, vibraphone, and their voices • 2016 • (7')
Rabbit in the Moon • for piano quartet • 2015 • (9')
Moonflower • for flute/piccolo, viola, and harp • 2015 • (8')
Complacency Will Kill You (Contentment Is A Choice) • for marimba and piano • 2014 • (5')
Without Them, What Remains? • for Bb clarinet, cello, and piano • 2011 • (7')
Spark in the Dark • for flute, Bb/bass clarinet, electric guitar, contrabass, and piano • 2009 • (10')
Tree of Life Suite • for string quartet • 2008 • (11'30)
Sleeping in the Forest • for solo violin, flute, bass clarinet, cello, vibraphone, and piano • 2006 • (6')
hverfa... • for piano quartet • 2006 • (11')
Tower of the Winds • for woodwind quintet • 2004 • (7')
String Quartet No. 1 • 2002 • (17')

. . . . Orchestral . . . .
Sin Sin Sin • 2018 • (6–7')
* [asterisk] • 2015 • (8')
Intermezzo: End, Begin • 2006 • (6'30)
Triskelion • 2004 • (6')

. . . . Vocal . . . .
FLOOD IT WITH LOVE • for mezzo-soprano and 12-piece jazz ensemble • 2023 • (20')
Letters That You Will Not Get: Women's Voices From The Great War • chamber opera for three sopranos, three mezzo-sopranos, and string quintet • 2020 • (75')
••• song cycle version for two sopranos, two mezzo-sopranos, violin, and cello • 2018 • (25')
You! Inez! • for SSAATTBB chorus • 2020 • (5')
Precious Nothing • for mezzo-soprano, mixed octet, fixed media, + live electronics • 2013 • (25')
To ––– • for soprano, violin, and harp • 2013 • (7')
Aileron • for mixed voices/sing-along • 2010 • (5')
Rats! (Lydia Sherman, Archmurderess of Connecticut) • for mezzo-soprano, piano, bass, percussion, and video playback • 2008 • (5')
Ostara • for SSAATTB chorus • 2005 • (6')
Holy Crows • for high voice and chamber ensemble • 2004 • (7')
Tenderloin Opera Company songs • 2010–present • numerous!

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